Performance Paintings

My performance-based painting practice extends the studio into a live, time-based situation. It opens a space where spontaneous emergence is allowed to shape the work in real time. Practice enters into dialogue with theory, and the body becomes both acting and experiencing subject.

In these works, painting often unfolds in collaboration with sound. The encounter between gesture, material, and sound activates chance as a co-creator. Control and unpredictability coexist, and the creative act itself is as significant as the material traces that remain as paintings, installations, or spatial residues.

The performances are experimental by nature. The components are prepared, but the paths the events take are never predetermined. The work evolves through shared presence—between collaborators, materials, and space—where attention, listening, and responsiveness guide the process rather than fixed outcomes.